Mix Engineer | Keith More

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Recent Mixes - Should the media player fail to play visit here

Mixing isn’t a job, it’s a passion
It takes many years of experience, great technical skills, and an amazing set of ears to become a mix engineer. It’s as much an art form as it is a science. The final mix is one of the most important factors in the production process. A great mix will allow the track to stand out and be rewarding to listen to every time. After all of the artist’s hard work, the writing, the arranging, the recording and production, it’s the mix engineer’s responsibility to realise the full potential of that effort, understand the artist’s vision, find the magic and make the music sound awesome. That’s what I strive for every time. Meticulous attention to detail is given to each project and I aim for perfection in every track I mix. It’s my passion to make your music sound the best it possibly can.

My sound - Learning how to mix is very similar to learning how to play an instrument. You discover your favourite players along the way, learn what they’re about, and eventually amalgamate all those influences into your own unique style. I’ve been inspired by many mix engineers throughout the years but it all started for me when I first discovered Andy Wallace. I’ve been a huge fan of his since first hearing Nevermind by Nirvana in the early 90s, and I’ve followed his work ever since. Other major influences on my mixing style have been Chris Lord-Alge, Alan Moulder, Terry Date, Bob Clearmountain and Tony Platt to name a few!
When mixing indie, punk, rock and metal, I go for the same kind of kick/bass punctuation and slammin’ guitar/snare vibe as these guys. I want the vocal to shine through and I like my mixes to sound full of energy, like the best sounding live gig ever. I also work hard to make my mixes sound as good quiet as they do cranked and always listen out for the artist’s vibe and strive to find their own unique identity.

The analogue factor -All my mixes are created by using a variety of choice pieces of vintage analogue gear including early 90s SSL 4000 G channels and the original Fleximix sidecar console from Trident studios. This gives the mixes more punch, sheen and width than mixing in the box alone.

Contact - info@keithmore.net

EVERY GREAT TRACK DESERVES A GREAT MIX